[{"data":1,"prerenderedAt":1199},["ShallowReactive",2],{"navigation":3,"biography":78},[4],{"title":5,"path":6,"stem":7,"children":8,"page":77},"Blog","/blog","blog",[9,13,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73],{"title":10,"path":11,"stem":12},"100 Years to the 1st Zionist Congress in Basel","/blog/100-years-zionist-congress","blog/100 years zionist congress",{"title":14,"path":15,"stem":16},"Hundred and Twenty Years After the First Zionist Congress in Basel","/blog/120-years-after-the-first-zionist-congress","blog/120 Years after the first Zionist Congress",{"title":18,"path":19,"stem":20},"1897, The First Zionist Congress","/blog/1897-the-first-zionist-congress","blog/1897, The First Zionist Congress",{"title":22,"path":23,"stem":24},"Breaking Down the Boundaries between Art and Life","/blog/breaking_down_the_boundaries_between_art_and_life_chapters","blog/Breaking_Down_the_Boundaries_between_Art_and_Life_chapters",{"title":26,"path":27,"stem":28},"Empathy, Direct Experience, Violence and Will","/blog/empathy-direct-experience-violence-and-will","blog/Empathy, Direct Experience, Violence and Will",{"title":30,"path":31,"stem":32},"Illustrations from the Social History of Reading","/blog/illustrations-from-the-social-history-of-reading","blog/Illustrations from the Social History of Reading",{"title":34,"path":35,"stem":36},"Mach versus Boltzmann","/blog/mach-versus-boltzmann","blog/Mach versus Boltzmann",{"title":38,"path":39,"stem":40},"Notes on the Open Public Library","/blog/notes-on-the-opl-hamburg","blog/Notes on the OPL Hamburg",{"title":42,"path":43,"stem":44},"On the Jewish Metaphysics of Death","/blog/on-the-jewish-metaphysics-of-death","blog/On the Jewish Metaphysics of Death",{"title":46,"path":47,"stem":48},"The Open Library, Graz - Location #1 - Terminal Point","/blog/the-open-public-library-graz-location-no.-1-terminal-point","blog/The Open Public Library Graz, Location No. 1 Terminal Point",{"title":50,"path":51,"stem":52},"The Open Public Library, Graz 1991","/blog/the-open-public-libray-graz-1991","blog/The Open Public Libray, Graz 1991",{"title":54,"path":55,"stem":56},"The Outdoor Exhibition Space Munich - San Francisco","/blog/the-outdoor-exhibition-space-munich-san-francisco","blog/The Outdoor Exhibition Space, Munich - San Francisco",{"title":58,"path":59,"stem":60},"The Outdoor Exhibition Space\nMunich - San Francisco Questions & Answers\n","/blog/the-outdoor-exhibition-space-munich-san-francisco-qanda","blog/The Outdoor Exhibition Space, Munich - San Francisco Q&A",{"title":62,"path":63,"stem":64},"The Sick Soul IV - An Auditorium for Film, a Runway for Fashion and a Stage for Music Performance","/blog/the-sick-soul-iv","blog/The Sick Soul IV",{"title":66,"path":67,"stem":68},"The Train Library","/blog/the-train-library","blog/The Train Library",{"title":70,"path":71,"stem":72},"Variants of Aesthetic Collectivism","/blog/variants-of-aesthetic-collectivism-2009","blog/Variants of Aesthetic Collectivism 2009",{"title":74,"path":75,"stem":76},"Zionism as Separatism","/blog/zionism-as-seperatism","blog/zionism as Seperatism",false,{"id":79,"title":80,"body":81,"description":1170,"extension":1171,"meta":1172,"navigation":1194,"path":1195,"seo":1196,"stem":1197,"__hash__":1198},"biography/biography.md","Single shows / Projects",{"type":82,"value":83,"toc":1121},"minimark",[84,89,112,116,130,134,142,146,154,158,172,176,184,188,208,212,220,224,232,236,250,254,274,278,298,302,322,326,358,362,400,404,430,434,452,456,481,485,510,514,540,544,557,561,605,609,617,621,629,633,664,668,682,686,706,710,736,740,764,768,776,780,806,810,824,828,854,858,895,899,926,930,964,968,991,995,1020,1024,1037,1041,1057,1061,1083,1087,1100,1104,1109,1113],[85,86,88],"h3",{"id":87},"_2025","2025",[90,91,92,100,106],"ul",{},[93,94,95,99],"li",{},[96,97,98],"em",{},"Still life, portrait, landscape, library",", Nagel Draxler Gallery, Berlin",[93,101,102,105],{},[96,103,104],{},"The Open Multi Language Library",", public project at Assemblage, Vienna",[93,107,108,111],{},[96,109,110],{},"Ost –West Wind",", proposal for Monument for Freedom and Unity, Leipzig",[85,113,115],{"id":114},"_2024","2024",[90,117,118,124],{},[93,119,120,123],{},[96,121,122],{},"The Constrained String Quartet III"," , Monument for\nHistorical Change , Berlin",[93,125,126,129],{},[96,127,128],{},"Thomas Mann Open Public Library",", GFLK Halle Sud, Bad Tölz",[85,131,133],{"id":132},"_2023","2023",[90,135,136],{},[93,137,138,141],{},[96,139,140],{},"Permanent Confrontation"," – A monument for Bertha Pappenheim aka Anna O.\n- proposal for Luegerplatz, Vienna",[85,143,145],{"id":144},"_2022","2022",[90,147,148],{},[93,149,150,153],{},[96,151,152],{},"Rejected - Modalities of Portraiture II",", Konschthal Ecsh, Luxemburg",[85,155,157],{"id":156},"_2021","2021",[90,159,160,166],{},[93,161,162,165],{},[96,163,164],{},"Portrait of a Generation",", (with Gunther Förg), Galerie Nagel Draxler, Munich",[93,167,168,171],{},[96,169,170],{},"Virtual Negations of Strict Order",", Georg Kargl Fine Arts at Arco, Madrid",[85,173,175],{"id":174},"_2020","2020",[90,177,178],{},[93,179,180,183],{},[96,181,182],{},"Monument for the Alban Berg foundation",", Vienna",[85,185,187],{"id":186},"_2019","2019",[90,189,190,196,202],{},[93,191,192,195],{},[96,193,194],{},"Modernismo Italiano",", Lia Rumma gallery, Milan",[93,197,198,201],{},[96,199,200],{},"Follow the Rule",", (with Franz Erhard Walther), KOW gallery, Berlin",[93,203,204,207],{},[96,205,206],{},"Synastesia, a public project proposal",", Munich",[85,209,211],{"id":210},"_2018","2018",[90,213,214],{},[93,215,216,219],{},[96,217,218],{},"120 Years to the first Zionist Congress in Basel",", Kunstmuseum Basel",[85,221,223],{"id":222},"_2017","2017",[90,225,226],{},[93,227,228,231],{},[96,229,230],{},"Eye Contact: The Origins of Totalitarianism",", Nagel Draxler gallery, Cologne",[85,233,235],{"id":234},"_2016","2016",[90,237,238,244],{},[93,239,240,243],{},[96,241,242],{},"Biedermeier Reanimated",", MAK, Vienna",[93,245,246,249],{},[96,247,248],{},"Modalities of Portraiture",", Georg Kargl Fine Arts, Vienna",[85,251,253],{"id":252},"_2015","2015",[90,255,256,262,268],{},[93,257,258,261],{},[96,259,260],{},"Sieben Künsten von Pritzwalk",", BKV Brandenburg Kunstverein, Potsdam",[93,263,264,267],{},[96,265,266],{},"Library of Collective Memory 1945, in Political Landscape",", Institut für Kunst im öffentlichen Raum Steiermark, Graz and the Literature museum reading room, Altaussee, Austria",[93,269,270,273],{},[96,271,272],{},"Monument for Berg and the Second Viennese School",", Proposal for the Alban Berg Foundation",[85,275,277],{"id":276},"_2014","2014",[90,279,280,286,292],{},[93,281,282,285],{},[96,283,284],{},"Die 7 Künste von Pritzwalk",", Public Project, Pritzwalk",[93,287,288,291],{},[96,289,290],{},"The Collector, his Father and their Collection",", Mirko Mayer Gallery, Cologne",[93,293,294,297],{},[96,295,296],{},"Institutional Portraits and Spanish Libraries",", Heinrich Ehrhardt Gallery, Madrid",[85,299,301],{"id":300},"_2013","2013",[90,303,304,310,316],{},[93,305,306,309],{},[96,307,308],{},"Collaborative and Commissioned Portraits",", Galerie Thoman, Innsbruck",[93,311,312,315],{},[96,313,314],{},"Porträts -- Modalitäten und Variationen",", DKW Brandenburg Kunstmuseum, Cottbus",[93,317,318,321],{},[96,319,320],{},"Clegg & Guttmann",", Galerie Nagel Draxler, Berlin",[85,323,325],{"id":324},"_2012","2012",[90,327,328,334,340,346,352],{},[93,329,330,333],{},[96,331,332],{},"Humiliation",", Denkmal im öffentlichen Raum, Graben, Vienna",[93,335,336,339],{},[96,337,338],{},"Les Modalités du Portrait",", centre d'art passerelle, Brest",[93,341,342,345],{},[96,343,344],{},"Ostwestlische Riesenrad",", competition Monument for Freedom and Unity, Leipzig",[93,347,348,351],{},[96,349,350],{},"Monument for the Jewish victims of the Nazi Regime in Saarland",", competition Saarbrucken",[93,353,354,357],{},[96,355,356],{},"Portraits and Other Cognitive Exercises 2001-2012",", BAWAG Contemporary, Vienna",[85,359,361],{"id":360},"_2011","2011",[90,363,364,370,376,382,388,394],{},[93,365,366,369],{},[96,367,368],{},"The Open Debate Station, New Delhi",", in the Yamuna-Elbe Public Art project, New Delhi",[93,371,372,375],{},[96,373,374],{},"Die Offene Bibliothek, Salzburg",", Salzburger Kunstverein (in 'Sense and Sensibility')",[93,377,378,381],{},[96,379,380],{},"Monument for Historical Change, Reopening"," (with 'Joy Religion'), Berlin",[93,383,384,387],{},[96,385,386],{},"Measuring the World",", Kunsthaus Graz",[93,389,390,393],{},[96,391,392],{},"Indoor and outdoor- discussions around the Open Debate Station",", at GFLK Stadtraum Altona, Hamburg",[93,395,396,399],{},[96,397,398],{},"From the Monumental to the Ornamental",", Rotary edition, Galerie Christian Nagel, Cologne",[85,401,403],{"id":402},"_2010","2010",[90,405,406,412,418,424],{},[93,407,408,411],{},[96,409,410],{},"Monument of Monuments for Unity & Freedom",", Proposal for public competition, Berlin",[93,413,414,417],{},[96,415,416],{},"The Open Debate Station, Frankfurt",", Schirn Kunsthalle (Playing the City II), Frankfurt",[93,419,420,423],{},[96,421,422],{},"Vienna and Jerusalem",", Zusammenarbeit mit Joseph Strau, Pro Choice, Vienna",[93,425,426,429],{},[96,427,428],{},"The Moderns, Revolutions in Art and Science 1890-1935",", MUMOK, Vienna",[85,431,433],{"id":432},"_2009","2009",[90,435,436,440,446],{},[93,437,438,249],{},[96,439,70],{},[93,441,442,445],{},[96,443,444],{},"Portraits",", FO.CU.S BTV Stadtforum, Innsbruck",[93,447,448,451],{},[96,449,450],{},"The Mechanical Bull",", Art Unlimited project, Basel",[85,453,455],{"id":454},"_2008","2008",[90,457,458,464,470,476],{},[93,459,460,463],{},[96,461,462],{},"The Age of Syncopation",", Wilkinson Gallery, London",[93,465,466,469],{},[96,467,468],{},"Studiolo Nuovo",", Lia Rumma, Milan",[93,471,472,475],{},[96,473,474],{},"Proposal for a Memorial for the Victims of the Nazi medical crimes",", Gugging Vienna",[93,477,478,480],{},[96,479,30],{},", Projekt für Bibliothek, Innsbruck",[85,482,484],{"id":483},"_2007","2007",[90,486,487,493,499,505],{},[93,488,489,492],{},[96,490,491],{},"The Prisoners Dilemma",", Henry Street Settlement, New York",[93,494,495,498],{},[96,496,497],{},"Temi ed Elementi di un Nuovo Studiolo Napoletano",", Lia Rumma, Neapel",[93,500,501,504],{},[96,502,503],{},"Elementry Forms of Collective Behavior",", in Demons, Magazine 4, Bregnzer Kunstverein",[93,506,507,249],{},[96,508,509],{},"Revolution of the Poetic Language",[85,511,513],{"id":512},"_2006","2006",[90,515,516,522,528,534],{},[93,517,518,521],{},[96,519,520],{},"The Story Reader Library",", Museion, Bozen",[93,523,524,527],{},[96,525,526],{},"Social Sculptures, Community Portraits and Spontaneous Operas 1990-2006",", Cornerhouse, Manchester",[93,529,530,533],{},[96,531,532],{},"Mach vs. Boltzmann II",", Kunstverein Braunschweig, Braunschweig",[93,535,536,539],{},[96,537,538],{},"Mach Vs. Bolzmann",", Secession, Vienna (Catalogue)",[85,541,543],{"id":542},"_2005","2005",[90,545,546,551],{},[93,547,548,249],{},[96,549,550],{},"Social Sculptures, Community Portraits and spontaneous Operas 1990-2005",[93,552,553,556],{},[96,554,555],{},"Franz West and Clegg & Guttmann",", Galerie Klaus Thomann, Innsbruck",[85,558,560],{"id":559},"_2004","2004",[90,562,563,569,575,581,587,593,599],{},[93,564,565,568],{},[96,566,567],{},"A Monument for Historical Change",", Denkmal im öffentlichen Raum, Berlin",[93,570,571,574],{},[96,572,573],{},"Sha'at'nez oder die verschobene Bibliothek",", im Rahmen der Installationsreihe Außenansicht View from Outside, Sigmund-Freud-Museum, Vienna",[93,576,577,580],{},[96,578,579],{},"The Moebius Library",", im Rahmen von Waldzell Dialogue for Inspiration, Stift Melk",[93,582,583,586],{},[96,584,585],{},"The Street and its Double",", Denkmalprojekt für Rosa Luxemburg, Rosa Luxemburg Platz, Berlin",[93,588,589,592],{},[96,590,591],{},"The Jewish Metaphysics of Death",", Installation at the Jüdischen Friedhof, Krems",[93,594,595,598],{},[96,596,597],{},"Light, Photography, Portraiture and the Metaphysics of the Self",", Performance, Akademie der Bildenden Künste, Vienna",[93,600,601,604],{},[96,602,603],{},"Museum in progress",", Projekt im Standard, 31. January 2004",[85,606,608],{"id":607},"_2003","2003",[90,610,611],{},[93,612,613,616],{},[96,614,615],{},"Decomposition ⬄ Reconstitution Berlin - 1918: Anti Capitalism, Avant-Garde, Art, Atonal Music",", Galerie Christian Nagel, Berlin (Catalogue)",[85,618,620],{"id":619},"_2002","2002",[90,622,623],{},[93,624,625,628],{},[96,626,627],{},"Negations of Strict Order: Anarchism, Cubism and Syncopated Music",", American Fine Arts, New York",[85,630,632],{"id":631},"_2001","2001",[90,634,635,641,647,653,659],{},[93,636,637,640],{},[96,638,639],{},"Minister und Senatoren - Politische Physiognomische Fragmente",", Galerie Christian Nagel, Colgone",[93,642,643,646],{},[96,644,645],{},"Falsa Prosspettiva - Knowledge Sculpture",", Galleria Lia Rumma, Milan (Catalogue)",[93,648,649,652],{},[96,650,651],{},"Neuer Turmbau zu Babel",", öffentliches Kunstprojekt für den Münchner Stadtteil Riem",[93,654,655,658],{},[96,656,657],{},"Die offene Bibliothek Augsburg",", Gesellschaft für Gegenwartskunst e.V., Neue Galerie im Höhmannhaus, Augsburg",[93,660,661,663],{},[96,662,320],{},", Galleria Emi Fontana, Milan",[85,665,667],{"id":666},"_2000","2000",[90,669,670,676],{},[93,671,672,675],{},[96,673,674],{},"The Historical Soccer Stadium",", Denkmal vorschlag für die Deutsche Bank, Frankfurt",[93,677,678,681],{},[96,679,680],{},"Washing Hands Here and in the Criminal Courts, Manhattan",", installation in the restroom of the institute for contemporary art PS1/ MOMA",[85,683,685],{"id":684},"_1999","1999",[90,687,688,694,700],{},[93,689,690,693],{},[96,691,692],{},"Portaits, Still Lifes and Landscapes 1985-1999",", Galleria Civica di Arte Contemporanea, Trento",[93,695,696,699],{},[96,697,698],{},"Die sieben Brücken von Königsberg - Die Offene Bibliothek",", in Kant-Park, Lehmbruck Museum, Duisburg",[93,701,702,705],{},[96,703,704],{},"Powerlines for an Urban Park",", Projekt im Rahmen von Dreamcity, Alter Botanischer Garten, Munich",[85,707,709],{"id":708},"_1997","1997",[90,711,712,718,724,730],{},[93,713,714,717],{},[96,715,716],{},"The Open Public Speakers Platform",", Grieskirchen, Austria",[93,719,720,723],{},[96,721,722],{},"1897: Der erste Zionistenkongress in Basel",", Kunsthalle Basel, Basel",[93,725,726,729],{},[96,727,728],{},"Zionism as Separatism, Öffentliche Bibliothek der Universität Basel",", Basel",[93,731,732,735],{},[96,733,734],{},"The Sick Soul IV - An Auditorium for Film, a Runway for Fashion, a Stage for Music Performance",", collaboration with CCSIS, Mamacita Fashion, Mexico City",[85,737,739],{"id":738},"_1996","1996",[90,741,742,747,752,758],{},[93,743,744,640],{},[96,745,746],{},"The Sick Soul III",[93,748,749,628],{},[96,750,751],{},"The Sick Soul II",[93,753,754,757],{},[96,755,756],{},"The Sick Soul - Morbid Fascination and Behavioral Research in Sociology, TV Entertainment and Photography",", Grazer Kunstverein, Graz (catalogue - Durch 10)",[93,759,760,763],{},[96,761,762],{},"Holocaust-Mahnmal und Gedenkstätte für Jüdische Opfer",", Denkmal vorschlag für den Juden Platz, Vienna",[85,765,767],{"id":766},"_1995","1995",[90,769,770],{},[93,771,772,775],{},[96,773,774],{},"Breaking the Boundaries between Art and Life",", New School for Social Research, New York",[85,777,779],{"id":778},"_1994","1994",[90,781,782,788,794,800],{},[93,783,784,787],{},[96,785,786],{},"The Transformation of Data into Portraiture",", Kunstraum der Universität Lüneburg (Catalogue)",[93,789,790,793],{},[96,791,792],{},"Die offene Bibliothek Mainz",", Landesmuseum Mainz, Mainz",[93,795,796,799],{},[96,797,798],{},"The Seventh Museum",", a public project proposal in collaboration with Andrea Fraser, STROOM foundation, The Hague (followed by a symposium)",[93,801,802,805],{},[96,803,804],{},"Vérité",", Galerie Christian Nagel, Cologne",[85,807,809],{"id":808},"_1993","1993",[90,811,812,818],{},[93,813,814,817],{},[96,815,816],{},"Die offene Bibliothek Hamburg",", Hamburger Kunstverein, Hamburg (Catalogue)",[93,819,820,823],{},[96,821,822],{},"Die offene Bibliothek Graz",", recontextualized, Neue Galerie am Landesmuseum, Graz",[85,825,827],{"id":826},"_1992","1992",[90,829,830,836,842,848],{},[93,831,832,835],{},[96,833,834],{},"From the Index of Commissioned and Non-Commissioned Photographic Portraits: Gazes in the Direction Perpendicular to the Picture Plane, Placed in a Sequence According to their Intensity, and Accompanied by Varying Postures and Hand Arrangements",", P.S.1 Contemporary Art Center, New York",[93,837,838,841],{},[96,839,840],{},"The Outdoor Exhibition Space, Munich-San Francisco",", Kunstraum Daxer, Munich",[93,843,844,847],{},[96,845,846],{},"The Outdoor Exhibition Space",", Janacek-Hof, Vienna",[93,849,850,853],{},[96,851,852],{},"The Salon of Rejected",", Jay Gorney Art Modern, New York",[85,855,857],{"id":856},"_1991","1991",[90,859,860,866,872,878,884,890],{},[93,861,862,865],{},[96,863,864],{},"Printing and Framing",", Christian Nagel Gallery, Cologne",[93,867,868,871],{},[96,869,870],{},"The Open Tool Shelter: A Model",", The Power Plant Contemporary Art Gallery, Toronto",[93,873,874,877],{},[96,875,876],{},"The Two and Four",", Edition Julye Sylvester, New York, in collaboration with Franz West",[93,879,880,883],{},[96,881,882],{},"America",", Castello di Rivoli, Turin",[93,885,886,889],{},[96,887,888],{},"Landscapes",", Akira Ikeda, Tokyo/Nagoya",[93,891,892,894],{},[96,893,822],{},", Grazer Kunstverein und Stadtraum Graz",[85,896,898],{"id":897},"_1990","1990",[90,900,901,907,913,918,923],{},[93,902,903,906],{},[96,904,905],{},"A Model for a Free Standing Outdoor Library",", Kabinett für aktuelle Kunst, Bremerhaven",[93,908,909,912],{},[96,910,911],{},"Corporate Landscapes",", Museum Schloss Hardenberg, Velbert-Neviges, Germany",[93,914,915,853],{},[96,916,917],{},"The Free Public Library",[93,919,920,922],{},[96,921,911],{},", Nordanstad-Skarstedt Galleri, Stockholm, Sweden",[93,924,925],{},"Galerie Achim Kubinkski, Stuttgart",[85,927,929],{"id":928},"_1989","1989",[90,931,932,938,943,946,949,952,958],{},[93,933,934,937],{},[96,935,936],{},"FRAC Aquitaine",", Centre Culturel, Dax",[93,939,940,942],{},[96,941,911],{},", Kunstverein Bremerhaven, Bremerhaven (Cat.)",[93,944,945],{},"Galerie Peter Pakesch, Vienna",[93,947,948],{},"Galleria Giorgio Persano, Turin",[93,950,951],{},"Galérie Pierre Huber, Geneva",[93,953,954,957],{},[96,955,956],{},"Portraits des Groupes de 1980 à 1989",", CAPC Musée d'Art Contemporain, Bordeaux",[93,959,960,963],{},[96,961,962],{},"International Landscape",", XPO Galerie, Hamburg",[85,965,967],{"id":966},"_1988","1988",[90,969,970,976,982,985],{},[93,971,972,975],{},[96,973,974],{},"Portraits, Landscapes, Still Lifes",", Margo Leavin Gallery, Los Angeles",[93,977,978,981],{},[96,979,980],{},"Collected Portraits",", Württembergischer Kunstverein, Stuttgart",[93,983,984],{},"Galérie Hussenot, Paris",[93,986,987,990],{},[96,988,989],{},"Landscapes and Still Lifes",", Achim Kubinski, Stuttgart",[85,992,994],{"id":993},"_1987","1987",[90,996,997,1002,1008,1011,1014],{},[93,998,999,1001],{},[96,1000,320],{},", Jay Gorney Modern Art, New York",[93,1003,1004,1007],{},[96,1005,1006],{},"Petrified Forest Estates",", Cable Gallery, New York, in collaboration with David Robbins",[93,1009,1010],{},"Galleria Lia Rumma, Naples",[93,1012,1013],{},"Galerie Achim Kubinski, Stuttgart",[93,1015,1016,1019],{},[96,1017,1018],{},"Clegg & Guttmann Works 1986/7",", Israel Museum, Jerusalem",[85,1021,1023],{"id":1022},"_1986","1986",[90,1025,1026,1031,1034],{},[93,1027,1028,1001],{},[96,1029,1030],{},"Clegg & Guttmann and Joseph Kosuth",[93,1032,1033],{},"Galerie Christoph Dürr, Munich",[93,1035,1036],{},"Galerie `t Venster, Rotterdam Art Foundation, Rotterdam",[85,1038,1040],{"id":1039},"_1985","1985",[90,1042,1043,1049,1051],{},[93,1044,1045,1048],{},[96,1046,1047],{},"Einzel-, Doppel- und Gruppenporträts",", Galerie Löhrl, Mönchengladbach",[93,1050,1013],{},[93,1052,1053,1056],{},[96,1054,1055],{},"Still Life",", Cable Gallery, New York",[85,1058,1060],{"id":1059},"_1984","1984",[90,1062,1063,1066,1072,1077],{},[93,1064,1065],{},"Galerie Tanja Grunert, Cologne",[93,1067,1068,1071],{},[96,1069,1070],{},"In Memory of Jim Mahoney",", Galerie Achim Kubinski, Stuttgart",[93,1073,1074,1056],{},[96,1075,1076],{},"Portrait-Singles, Doubles and Triples",[93,1078,1079,1082],{},[96,1080,1081],{},"Of Certain Men Who Ate Us",", Eric Fabre, Paris",[85,1084,1086],{"id":1085},"_1983","1983",[90,1088,1089,1094],{},[93,1090,1091,1071],{},[96,1092,1093],{},"The Disease of Reason",[93,1095,1096,1099],{},[96,1097,1098],{},"Allegories of Stock Exchange",", Olsen Gallery, New 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