[{"data":1,"prerenderedAt":470},["ShallowReactive",2],{"navigation":3,"/blog/the-open-public-libray-graz-1991":78,"/blog/the-open-public-libray-graz-1991-surround":465},[4],{"title":5,"path":6,"stem":7,"children":8,"page":77},"Blog","/blog","blog",[9,13,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73],{"title":10,"path":11,"stem":12},"100 Years to the 1st Zionist Congress in Basel","/blog/100-years-zionist-congress","blog/100 years zionist congress",{"title":14,"path":15,"stem":16},"Hundred and Twenty Years After the First Zionist Congress in Basel","/blog/120-years-after-the-first-zionist-congress","blog/120 Years after the first Zionist Congress",{"title":18,"path":19,"stem":20},"1897, The First Zionist Congress","/blog/1897-the-first-zionist-congress","blog/1897, The First Zionist Congress",{"title":22,"path":23,"stem":24},"Breaking Down the Boundaries between Art and Life","/blog/breaking_down_the_boundaries_between_art_and_life_chapters","blog/Breaking_Down_the_Boundaries_between_Art_and_Life_chapters",{"title":26,"path":27,"stem":28},"Empathy, Direct Experience, Violence and Will","/blog/empathy-direct-experience-violence-and-will","blog/Empathy, Direct Experience, Violence and Will",{"title":30,"path":31,"stem":32},"Illustrations from the Social History of Reading","/blog/illustrations-from-the-social-history-of-reading","blog/Illustrations from the Social History of Reading",{"title":34,"path":35,"stem":36},"Mach versus Boltzmann","/blog/mach-versus-boltzmann","blog/Mach versus Boltzmann",{"title":38,"path":39,"stem":40},"Notes on the Open Public Library","/blog/notes-on-the-opl-hamburg","blog/Notes on the OPL Hamburg",{"title":42,"path":43,"stem":44},"On the Jewish Metaphysics of Death","/blog/on-the-jewish-metaphysics-of-death","blog/On the Jewish Metaphysics of Death",{"title":46,"path":47,"stem":48},"The Open Library, Graz - Location #1 - Terminal Point","/blog/the-open-public-library-graz-location-no.-1-terminal-point","blog/The Open Public Library Graz, Location No. 1 Terminal Point",{"title":50,"path":51,"stem":52},"The Open Public Library, Graz 1991","/blog/the-open-public-libray-graz-1991","blog/The Open Public Libray, Graz 1991",{"title":54,"path":55,"stem":56},"The Outdoor Exhibition Space Munich - San Francisco","/blog/the-outdoor-exhibition-space-munich-san-francisco","blog/The Outdoor Exhibition Space, Munich - San Francisco",{"title":58,"path":59,"stem":60},"The Outdoor Exhibition Space\nMunich - San Francisco Questions & Answers\n","/blog/the-outdoor-exhibition-space-munich-san-francisco-qanda","blog/The Outdoor Exhibition Space, Munich - San Francisco Q&A",{"title":62,"path":63,"stem":64},"The Sick Soul IV - An Auditorium for Film, a Runway for Fashion and a Stage for Music Performance","/blog/the-sick-soul-iv","blog/The Sick Soul IV",{"title":66,"path":67,"stem":68},"The Train Library","/blog/the-train-library","blog/The Train Library",{"title":70,"path":71,"stem":72},"Variants of Aesthetic Collectivism","/blog/variants-of-aesthetic-collectivism-2009","blog/Variants of Aesthetic Collectivism 2009",{"title":74,"path":75,"stem":76},"Zionism as Separatism","/blog/zionism-as-seperatism","blog/zionism as Seperatism",false,{"id":79,"title":50,"author":80,"body":81,"caption":80,"date":436,"description":437,"extension":438,"image":439,"meta":440,"minRead":430,"navigation":461,"path":51,"seo":462,"stem":52,"toc":463,"__hash__":464},"blog/blog/The Open Public Libray, Graz 1991.md",null,{"type":82,"value":83,"toc":425},"minimark",[84,89,98,132,136,143,158,177,181,188,195,200,211,238,242,245,260,264,274,281,285,318,322,329,351,354,358,369,376,411,413],[85,86,88],"h3",{"id":87},"structure-and-operation","Structure and Operation",[90,91,92,93,97],"p",{},"The proposed outdoor library would be constructed in an urban area as a ",[94,95,96],"strong",{},"free-standing structure","—a functionally designed bookshelf with glass doors.",[99,100,101,112,122],"ul",{},[102,103,104,107,108,111],"li",{},[94,105,106],{},"Operation:"," It would operate ",[94,109,110],{},"without librarians and guards",", imposing no restrictions on its reading material.",[102,113,114,117,118,121],{},[94,115,116],{},"Content:"," The initial books would be ",[94,119,120],{},"collected from the inhabitants"," of the area where the library is placed.",[102,123,124,127,128,131],{},[94,125,126],{},"Change:"," As the library operates, its contents would gradually change, with books replaced or exchanged at the ",[94,129,130],{},"discretion of the users",".",[85,133,135],{"id":134},"social-and-community-reflection","Social and Community Reflection",[90,137,138,139,142],{},"Such a library is designed to become an institution that helps ",[94,140,141],{},"define the community",". It would reflect the community's:",[99,144,145,148,151],{},[102,146,147],{},"Reading habits",[102,149,150],{},"Intellectual preoccupation",[102,152,153,154,157],{},"Investment in its own institutions (serving as its ",[94,155,156],{},"portrait",")",[90,159,160,161,164,165,168,169,172,173,176],{},"The necessity to institute norms for proper use will require a discussion of the community's ",[94,162,163],{},"values and goals",". The invention and execution of ",[94,166,167],{},"non-violent sanctions"," against violations can become an exercise in ",[94,170,171],{},"metaphorical autonomous self-rule",". Furthermore, determining the reading materials may result in new forms of ",[94,174,175],{},"communal decision-making"," applicable in other contexts.",[85,178,180],{"id":179},"the-sculpture-and-the-model","The Sculpture and the Model",[90,182,183,184,187],{},"The displacement of an indoor object (a bookshelf) to the outdoors creates an ",[94,185,186],{},"\"eerie\" sculptural effect",". However, the structure will seem familiar, aiming to be a part of the urban landscape rather than an intrusion.",[90,189,190,191,194],{},"This setup reflects the project’s utopian aspect: the library is not an authoritarian implant but an ",[94,192,193],{},"integral part of the community"," readily modified by it.",[196,197,199],"h4",{"id":198},"the-counterpart-model","The Counterpart Model",[90,201,202,203,206,207,210],{},"A ",[94,204,205],{},"photographic full-scale model"," of the outdoor library will be installed ",[94,208,209],{},"indoors"," (in a public exhibition space at Graz).",[99,212,213,219,228],{},[102,214,215,218],{},[94,216,217],{},"Function:"," This model serves as a point of reference and the indoor exhibition functions as a documentation center for evaluating the overall project effect.",[102,220,221,224,225,131],{},[94,222,223],{},"Relation:"," The relation of the 'model' to the 'outdoor library' is similar to the relation of the 'outdoor library' to an invisible ",[94,226,227],{},"'model of a social interaction'",[102,229,230,233,234,237],{},[94,231,232],{},"Ultimate Subject:"," The project ultimately addresses ",[94,235,236],{},"community relations and formation"," as its subject, rather than the \"service\" of providing a library.",[85,239,241],{"id":240},"defined-trajectories","Defined Trajectories",[90,243,244],{},"The Open Library is thus defined by two trajectories:",[246,247,248,254],"ol",{},[102,249,250,253],{},[94,251,252],{},"The \"social sculpture\":"," Initializing a process that engages and demonstrates the community’s relation to itself and its definition vis-a-vis the outside.",[102,255,256,259],{},[94,257,258],{},"The idea of modeling:"," The work as a cube within a cube, each one modeling the other. This point also marks the return of the Open Library to the 'closed' space, addressing the transformation of the 'real' to an 'art-like representation'.",[85,261,263],{"id":262},"construction-and-pre-installation","Construction and Pre-Installation",[90,265,266,267,270,271,131],{},"The library will measure approximately ",[94,268,269],{},"4.5' x 3.5' x 6''"," and will have a cement foundation. The construction will be made of wood, with the open side protected by ",[94,272,273],{},"two glass doors",[90,275,276,277,280],{},"Prior to installation, a ",[94,278,279],{},"public presentation"," is proposed for a public space at Graz, featuring photographic/textual material and notebooks for public comments, followed by a public discussion.",[196,282,284],{"id":283},"implementation-steps","Implementation Steps:",[246,286,287,293],{},[102,288,289,292],{},[94,290,291],{},"Book Collection Drive:"," A few months prior to opening, a drive to collect books will begin, advertised through posters, local newspapers, etc.",[102,294,295,298,299,302,303],{},[94,296,297],{},"Minimal Intervention Sign:"," A small metal plaque will be placed on the side reading: ",[94,300,301],{},"“You can take a limited number of books for a limited amount of time, for further information contact.”"," This \"authoritarian\" sign serves two necessary functions:\n",[99,304,305,311],{},[102,306,307,308,131],{},"To define the object as a ",[94,309,310],{},"lending library",[102,312,313,314,317],{},"To provide an ",[94,315,316],{},"index or point of orientation"," for users.",[196,319,321],{"id":320},"documentation-and-installation","Documentation and Installation",[90,323,324,325,328],{},"An installation in the ",[94,326,327],{},"Grazer Kunstverein"," documented the entire process and served as an information center.",[99,330,331,334,348],{},[102,332,333],{},"The installation consisted of three groups of objects.",[102,335,336,337,340,341,344,345,131],{},"Each group contained a ",[94,338,339],{},"landscape",", a ",[94,342,343],{},"table",", and a ",[94,346,347],{},"free-standing 'library' model",[102,349,350],{},"The free-standing model was a tall box featuring two photographs of libraries mounted on two sides, which displayed the initial collection of books and featured a built-in card file.",[352,353],"hr",{},[85,355,357],{"id":356},"the-open-outdoor-library-graz-recontextualized-19932005","The Open Outdoor Library, Graz, recontextualized 1993/2005",[90,359,360,361,364,365,368],{},"This project was exhibited in 2005 in ",[94,362,363],{},"'Social Sculptures, Community Portraits and spontaneous Operas 1990-2005","' at Georg Kargl Fine Arts, Vienna as well as in 1993 as ",[94,366,367],{},"'Die offene Bibliothek Graz, recontextualized","', at the Neue Galerie am Landesmuseum, Graz.",[90,370,371,372,375],{},"The \"Open Outdoor Library, Graz, recontextualized\" installation represented the original ",[94,373,374],{},"\"Open Public Library, Graz,\""," project from 1991.",[99,377,378,384,389,399,405],{},[102,379,380,383],{},[94,381,382],{},"Execution:"," Three wooden bookcases were built and placed outdoors in different suburbs of Graz.",[102,385,386,388],{},[94,387,217],{}," The bookcases operated as lending libraries for a period of three months.",[102,390,391,394,395,398],{},[94,392,393],{},"Rules:"," A notice on each instructed users that they could ",[94,396,397],{},"borrow or exchange any book"," for a limited amount of time.",[102,400,401,404],{},[94,402,403],{},"Collection:"," The books were collected from local residents.",[102,406,407,410],{},[94,408,409],{},"Film:"," A film documenting the reaction of the local residents in each of the three location of the library was produced in collaboration with Stephan Dillemuth. 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